What was your modus operandi for the conception of the environment?  My reflection developed by means of the text and the score, but also through numerous conversations with Pauline. I proposed sketches which corresponded to the project; we exchanged ideas through... Read More

What is the origin of the production?  In 1993, the Royaumont Foundation in France invited me to work on this score with the soprano Mishiko Hyrayama, the favoured performer of Giacinto Scelsi. She put her trust in me, offering me... Read More