What was your modus operandi for the conception of the environment? My reflection developed by means of the text and the score, but also through numerous conversations with Pauline. I proposed sketches which corresponded to the project; we exchanged ideas through... Read More
What is the origin of the production? In 1993, the Royaumont Foundation in France invited me to work on this score with the soprano Mishiko Hyrayama, the favoured performer of Giacinto Scelsi. She put her trust in me, offering me... Read More
TOTAL VOCAL IMMERSION AT LA GRANDE NUIT By Michel Joanny-Furtin When the Groupe de recherche sur la médiatisation du son (GRMS) takes part in Nuit Blanche, it goes above and beyond, presenting a marvelous musical, vocal and artistic evening, which... Read More
